E STREET SHUFFLE LYRICS MEANING FULL

“Meeting Across the River” can be viewed as setting the template for the bleak character studies that would eventually come to populate Springsteen’s string of acoustic solo albums, such as 1982’s “Nebraska,” 1995’s “The Ghost of Tom Joad” and 2005’s “Devils and Dust.”

“And then the sadness is that if you look at the statistics, anyone from our generation, most of us came from broken homes, so the marriage ended and it’s bittersweet, in a way. “You shouldn’t have to spell things out, necessarily, for your listener,” said Laura Jane Grace, singer/songwriter of Against Me! “You should be able to let them have their imagination run wild with it, and that’s what makes it powerful, in part.”Ĭompare “Meeting Across the River” with the song that directly precedes it on the album, the hard-charging romantic rocker “She’s the One.” That song, with its Bo Diddley beat evoking Buddy Holly’s “Not Fade Away,” “sounds like the youthful, hopeful aspirations of my parents getting together, falling in love, getting married, starting a life together, them against the world,” Grace said. Feeling like Elaine May’s “Mikey and Nicky” (1976) set to words and music by Leonard Cohen, the song remains haunting and mysterious all these years later. You don’t know exactly what Eddie and Springsteen’s narrator are up to, but you get the sense it’s not going to end well. The details of the narrative are vague, but the tone, underscored by that piano and trumpet tandem, is mightily foreboding. The word’s been passed, this is our last chance.” Hey Eddie, this guy, he’s the real thing, so if you want to come along you gotta promise you won’t say anything, ’ cause this guy don’t dance. Springsteen starts the song with a couple of requests - “Hey Eddie, can you lend me a few bucks, tonight can you get us a ride?” - followed by a potentially ominous modus operandi: “ Gotta make it through the tunnel, got a meeting with a man on the other side. While both of those are stellar examples of sweeping rock storytelling, “Meeting Across the River” is something different. With ‘(Meeting) Across the River,’ it’s like the piano comes in, it’s sitting smoothly, and then you’ve got the horns giving the accents every now and then, and it’s like you’ve really got a humble Bruce.” “With ‘Born to Run’ and ‘Night’ and ‘Thunder Road,’ I felt like as soon as it comes on it’s blaring at you, you know what I’m saying? It’s like. “The piano itself serenades you, you know what I’m saying?” said Asbury Park singer Alexander Simone, grandson of the legendary Nina Simone, who called “Meeting Across the River” one of his favorite songs from a production standpoint. This is “Meeting Across the River,” the penultimate track on “Born to Run” that serves as the album’s dark night of the soul before a single lyric is uttered.

E STREET SHUFFLE LYRICS MEANING FULL

Turn audio on Turn audio offĪfter starting 1975’s “Born to Run” with the determination of “Thunder Road” to pull out of a town full of losers, then serving six consecutive offerings of go-for-broke, anthemic rock ’n’ roll, Bruce Springsteen shifted gears in the home stretch.Ĭue a haunting trumpet, echoing out at the listener as if through a foreboding tunnel, underscored by some delicate grand piano. This audio enhanced story is best with headphones.

E street shuffle lyrics meaning